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But he become the American punk-rock poet laureate of the Eighties, reeling off shabbily rousing underdog anthems like "I Will Dare" and "Bastards of Young," as well as beautifully afflicted songs like "Swinging Party" and "Here Comes a Regular." A high-school dropout, Westerberg spoke for a nation of smart, wiseacre misfits, paving the way for Green Day and Nirvana, both of which were led by avowed Replacements fans."Westerberg could be barreling along and do 'Tommy Gets His Tonsils Out' or 'Gary's Got a Boner,' and then he could slide into 'Unsatisfied' or 'Sixteen Blue,' says Craig Finn of the Hold Steady.Taylor Swift reached that peak before she turned 21. She might be the youngest artist on this list — as you may have heard, she was born in 1989, the year Green Day released their first record.But she's already written two or three careers' worth of keepers.His 1996 acoustic ballad "Good Riddance (Time of Your Life)" has become a standard and a pop cultural touchstone; the Who-scale ambition of 2004's American Idiot made for a rock-opera that remains a totemic response to the Bush era; and Green Day's recent three-album trilogy, Uno! And Armstrong is a punk through and through: the whole band gets songwriting credit on its hugely successful catalog.Paul Westerberg wasn't precious about his craft ("I hate music/It's got too many notes," he sang on the first Replacements album in 1981)."So you think this guy was this drunk, punkish dude and all the sudden he's really sensitive and really vulnerable.Because he's got you looking both ways, it's bigger, it hits harder.
"I have dyslexia, and I've used it to its best advantage." With a talent for wordplay that can be as head-spinning as it is disturbing, and a knack for incessant sing-song choruses that suggest he might've thrived in a Brill Building cubicle, Eminem crams hugely popular songs with more internal rhymes and lyrical trickery than anyone else in contemporary pop.Tim and Missy started working in earnest as a writing team in 1996, when they collaborated on most of Aaliyah's One in a Million.That was followed by Missy's 1997 breakthrough Supa Dupa Fly — a set of cool, witty, deceptively minimal tracks that flipped between hip-hop, R&B and electronica with finger-snapping ease — and a string of genre-melting records like "Get Ur Freak On" and "Work It" that lasted until the early 2000s.Benny and Björn had already been a songwriting duo for six years when they teamed up with their girlfriends Anni-Frid Lyngstad and Agnetha Fältskog — who were both Swedish pop stars already — to form Abba.The two of them were hardcore about songwriting: they bought a cottage on the island of Viggsö where they could focus on making their music and lyrics as catchy as humanly possible.